Sheep and Cows print

this catalogue reveals the origins of some of Henry Moore's most innovative works and examines in depth for the first time this largely unknown aspect of his career

The reasons for his fascination with armour and the implications it had on his art

Materials: Archival Pigment Inks on 308gsm Cotton Rag

This keyring is crafted in real leather with a design adapted from the Turkish Minton tiles on display in the Smoking Room

Richly illustrated

Handwash only

The idea of one form inside another form may owe some of its incipient beginnings to my interest at one stage when I discovered armour

practices and relationships

this catalogue provides a fresh perspective on the works of 18th-Century painter Joshua Reynolds

reproduces the manuscript in its entirety

The compositions of 18th-century Parisian marquetry were described by one contemporary as no less than 'paintings in wood'

A complete catalogue to our past exhibition Forgotten Masters: Indian Painting for the East India Company