Hellstenius/ Holmertz - Places of Sounds & WordsWhat is the nature of the relationship between music and the wider reality that it exists within? Does art imitate life, or can life imitate art? Can the two meaningfully coexist? When a sound is taken from the real world and placed into a musical context, does it mean the same thing? Where does meaning come from, and how do we decide what a sound means? Henrik Hellstenius first began investigating these questions in 2007, with Places of Sound, a work

Brandon Friesen is an American

Early in 1954 he cut these four classic tracks for Al Benson's Parrot label subsidiary Blue Lake

producer/guitarist Bob DeMarco

which led to live performances sharing stages with such renowned acts as PLASTIC NOISE EXPERIENCE

The opera's plot revolves around the story of how the Russian prince Boris Goudenov rises to power through intrigue and becomes Russian tsar

offering portraits of artists perpetuating the venerable legacy of Django Reinhardt

FOUR FAST GUNS: Against a backdrop of Arizona landscapes

deep ambient and thunderous tones

Liszt / Sebastian Bin Di - Liszt: Transcendental Etudes S

the boundaries between singing and instrumental playing dissolve

Alex must quickly find enough money and accomplish his "Aliyah" (the term for Jews emigrating to Israel) which involves

Robert Mitchum's Calypso - Is Like So is certainly the most curious