Oliver ReedHannah Regel In Hannah Regels brilliant collection, Oliver Reed, the figure of the horse becomes an object for languages brutality and the all too familiar subjugation of womens voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. Kill the language. Kill it. Get the shovel. Were making a belt. I would gladly do

maar ook de sterk ritmische (en vol met klank-rijmen staande) gedichten van daarvoor laten zien hoe belangrijk muzikaliteit en ook lichamelijkheid daarbij zijn

Jansen between 1980 and 1995

A sparkling and taunting dance before the shadow of Hitler takes form

merging past with present

the effect is like a shifting landscape seen from above

not as it was

discordant

Boekhouders van de vergankelijkheid belicht de late stijl in recente bundels van H

In deze nieuwe uitgave zijn tweehonderd grotendeels niet eerder zo beschikbare gedichten gebundeld

she immediately became one of the most celebrated and controversial poets of the era

George Meredith and his wife Mary Ellen

In poems that sing and lament